Keywords: Industrial culture, art, underground

Title: Rapid Eye Movement

Author/Artist: Simon Dwyer

Publisher: Creation Books

Media: Book

Reviewer: Pan

I can still remember the first time I came across the first volume of Rapid Eye Movement, it felt incredible, like I'd just stumbled across some so wonderful that it couldn't be true. I grabbed the copy there and then, convinced that what it was important. This was where I wanted to be, I realised. It wasn't just that the content covered areas I was already interested in: Throbbing Gristle/PTV/ToPY, industrial music, conspiracy theories etc, it was also that it was well-written, extremely intelligent and obviously a labour of love.

Years later I can remember the launch party for the third and last volume of Rapid Eye Movement. It was some dingy art space near Clerkenwell, Mr Andy Weatherall was doing his stuff, Gilbert and George were there in a corner with a couple of pretty boys minders, Stewart Home was due to spout his stuff...And where was Simon Dwyer? I was looking forward to meeting him at last. I asked one of the Creation Books crew and was told that he was in hospital. With what? My answer came a little while later when Peter Colebrook took the stage to deliver a message from Simon, in hospital with AIDS. I was stunned. It seemed so unfair that he should be ill on a night like that.

I was never fortunate enough to meet Simon Dwyer. Jealously, selfishly, I had hoped that he would recover to continue with Rapid Eye. Where was volume four? I wanted so much to write for him, to add something back to a project that had given me so much. It was never to be, as Simon fell victim to the disease that has taken so many.

Creation Books have taken the best from those three volumes of REM and created a tribute edition, dedicated to Simon and his widow, Fiona. Reading back over some of those first articles I can still feel a sense of excitement, even though my interests have moved on. There is still much to be admired about it as a work. Simon's critical intelligence is clearly evident, and his passionate interest in art, creativity and the state of the world shines through. If you've never read REM then this must count as vital reading - primary material for anybody interested in 'industrial' culture, modern art and the state of the world.


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